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Die Rudolfina-Redoute in der Wiener Hofburg ist der einzige große Maskenball mit besonders buntem und geheimnisvollem Flair durch die Maskierung der. Die Rudolfina-Redoute [reˈdut] ist ein nach den stilistischen Vorbildern der Wiener Ballkultur ausgerichteter Maskenball in Wien. Sie findet traditionell am. Redoute (Reduta, österr.: [reˈdut]; dt., schweiz.: [ reˈduːtə]; von frz. redoute für ‚Zufluchtsort') ist eine veraltete gemeindeutsche Bezeichnung für einen Ball. Casino Redoute ♧ alle Infos ♥ der verücktestete Ball. ❗️Aufgepasst❗️. Endlich können wir es verraten - Der derzeit angesagteste Rapper aus Wien Jugo Ürdens, ist am bei der Casino Redoute mit 2 Live.
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Czech Republic. The same event was the basis of Giuseppe Verdi 's opera A Masked Ball , although the censors in the original production forced him to portray it as a fictional story set in Boston.
Most masks came from countries like Switzerland and Italy. A Swiss count who arrived in Italy in , is credited with introducing to London the Venetian fashion of a semi-public masquerade ball, to which one might subscribe, with the first being held at Haymarket Opera House.
The reputation for unseemly behavior, unescorted women and assignations motivated a change of name, to the Venetian ridotto , but as "The Man of Taste" observed in ;.
A standard item of masquerade dress was a "Vandyke", improvised on the costumes worn in the portraits of Van Dyck : Gainsborough's Blue Boy is the most familiar example, and a reminder of the later 18th-century popularity in England for portraits in fancy dress.
Throughout the century, masquerade dances became popular in Colonial America. Its prominence did not go unchallenged; a significant anti-masquerade movement grew alongside the balls themselves.
The anti-masquerade writers among them such notables as Samuel Richardson held that the events encouraged immorality and "foreign influence.
Masquerade balls were sometimes set as a game among the guests. The masked guests were supposedly dressed so as to be unidentifiable.
This would create a type of game to see if a guest could determine each other's identities. This added a humorous effect to many masquerades and enabled a more enjoyable version of typical balls.
One of the most noted masquerade balls of the 20th century was that held at Palazzo Labia in Venice on 3 September , hosted by Carlos de Beistegui.
It was dubbed "the party of the century. Another famous ball was The Black and White Ball. Masquerade masks were worn delicately by the prosperous class at balls.
Masquerade masks had many uses including hiding one's identity, and using different colour to express one's freedom of speech and voice one's emotions and opinions without judgement.
The main types of masks included masks with a stick which one could hold to keep the mask in front of their face , the head mask, the full-face mask, and the half face mask.
Today, in French Guiana, throughout the Carnival period, masked balls known as masked balls take place every weekend. It is about Touloulous balls, where the Touloulous women is completely disguised and unrecognizable, where, recently this is the Tololos men who is disguised.
A new resurgence of masquerade balls began in the late s in North America. More recently, the party atmosphere is emphasized and the formal dancing usually less prominent.
In present times, masquerade masks are used for costumes during Halloween. Masquerade masks are sold in a wide range of stores in different designs, and colors.
The picturesque quality of the masquerade ball has made it a favorite topic or setting in literature.
Edgar Allan Poe 's short story " The Masque of the Red Death " is based at a masquerade ball in which a central figure turns out to be his costume.
A masquerade ball is central to the plot of Mikhail Lermontov 's play Masquerade. The play was censored and never staged during Lermontov's lifetime, partly because of the implied criticism of the masquerade balls staged by the aristocratic Engelhardt family.
There is no live music and no tables in this room. Geheime Ratstube. There are no tables in this room. The Geheime Ratstube provides some comfortable lounge atmosphere, where you can have a chat, but dance as well.
It is also a place where groups can meet and informal receptions will be held. There will be the band The Men to entertain you until 3. There will be a few cocktail tables, but no places to sit in this room.
Vorsaal Festsaal-Foyer. The Vorsaal leads right to the Festsaal and is therefore its direct entrance area. It is just the right place to meet friends, take some photos at the foto box or in front of the press wall.
This is even more fun when you are having a drink at the champaign bar. There is no live music in this room. Following a welcome cocktail you will be provided with a festive 4-course-menu at this imperial location to the sounds of dinner live music.
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Scissors Dance or La Danza de las Tijeras. Kumpanjija Performance. Les Hivernales. Kecak or Monkey Dance. Ball de Bastons. Anguiano Stilt Dance.
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Ball Season. Long Night of Museums. Donauinselfest Danube Island Festival. Vienna City Marathon.
Czech Republic. The Premium Loges have ten places, food and drinks is served at the table. Although most of the loges are taken by regular customers, every now and then a few places are available.
If you are interested in a place here, please contact us via email at office rudolfina-redoute. Festsaal Hohe Logen. The High Loges have eight or ten places, food and drinks is served at the table.
Festsaal Estradenlogen. The Estrade Loges are located next to the dance floor, but lightly elevated. They have four or eight places, food and drinks is served at the table.
Although most of the loges are already takens, a few places are still available. At the Zeremoniensaal there is the second big dance floor next to the Festsaal, where dance music is played continuously.
If you are looking for passionate, latin american dances alternating with classical ballrom dance music, the Carla Natascha Band and the Band of the Lower Austrian Military Music will be just right for you.
There will be music until the end of the ball at 4. The tables have twelve seats and are separated into loges. There will be a drinks and food service at the tables.
The opening ceremony of the Rudolfina-Redoute will be transmitted to the Zeremoniensaal. In between the Marmorsaal and Rittersaal the Antekammer is a central place, where every visitor of the Rudolfina-Redoute will pass by sooner or later.
From the Rittersaal you can hear music from the fifties by The Cadillacs, whilst still being able to have a nice chat.
There is no live music in the Antekammer. The Tables have four seats with the usual service at the table for food and drinks.
The Künstlerzimmer is a bit smaller than the other rooms at the Rudolfina-Redoute. The ancient fireplace adds to the comfortable atmosphere.
There is no live music in the Künstlerzimmer. The tables have four places, food and drinks is served at the table. Right next to the Zeremoniensaal are the tables in the Marmorsaal just right for everyone, who wants to listen to some dance music without sitting next to the dance floor, but still participating in the event fully.
There is no live music in the Marmorsaal. The Rittersaal is an insiders' tip for dancers. The Cadillacs entertain with dance music from the fifties, rock'n'roll and evergreens until 4.
Insiders know that in this room there will be the one and last inofficial quadrille dance at 3. The Trabantenstube is the meeting place for all members of fraternities.
Special "fraternity tables" are offered in this room as well. There is no live music in the Trabantenstube.
Besides the tables of four there are also big tables for 8, 12 or 16 persons. Food and drinks is served at the table.